for research purposes
What is there to see when characters turn their back to us? Back views in cinema are experienced as disturbances of their visual regime. But by hiding the faces these images point towards another presence, both familiar and uncanny to us all: there’s an off-space we all carry with us but can never look at … Reproduction Interdite weiterlesen
Sound as matter, sculpted by the videographer’s hand. A scene from an old classic: The femme fatale’s hand touches a dangerous box. Stop the scene and she’s touching a different object – the elusive and ungraspable object of sound. Her gestures seem to mirror my own videographic practice: my fingers on the keyboard transform the … TOUCHING SOUND weiterlesen
Jerry Lewis‘ philosophy of video: Lewis‘ comedy of playback is also a meditation on the technology he relied on in the production of his films. Looping a scene from Lewis‘ film „The Patsy“ (1966) shows how the loops of the electronic video signal are included in the very illusion they helped to fabricate. The mise-en-abyme … Endless Regression weiterlesen
A man is getting cornered. The past is closing in, thightening its grip… A detail in Jacques Tourneur’s „Out of the Past“ (USA 1947) becomes visible as metaphor. For the film’s story… …and it’s mise-en-scène.
Watching John Ford …with Jean Epstein. Approaching the materiality of film …through the faces of its stars.
As far as I know, Stanley Cavell never wrote about the films of John Cassavates. But I always thought that Cassavetes’ films, so distinctly american, concerned with the ordinary and so jazzy in rhythm would speak to this thinker of the american, of the ordinary and who himself started out as a jazz musician. But … Cavell / Cassavetes weiterlesen